Senior officer dismissed from the Army after drunken misconduct during overseas trip.

Major General James Roddis, a respected Army officer with almost 30 years of service, has had his career destroyed after being found guilty of indecent behaviour while intoxicated in a karaoke bar during an overseas trip in April. The 53-year-old was sentenced to six months in prison, suspended for two years, and ordered to complete 30 days of rehabilitation along with 150 hours of unpaid work. He was also directed to pay £2,500 in compensation to the victim.

The incident occurred on the final night of a military delegation’s overseas visit, when Roddis, who had been drinking heavily, touched a woman’s hair and attempted to kiss her while in the karaoke bar. Some of the incident was filmed, showing the woman trying to signal to him to stop. Shortly after, he kissed her on the lips for about two seconds. The court martial heard that the woman immediately expressed her discomfort and later reported the incident to her husband.

This was not the first time Roddis had faced allegations of inappropriate behaviour. In 2023, he received a sanction and forfeited his seniority as a major general after complaints were made by two female civil servants about his misconduct during a similar overseas trip. Despite his distinguished military career, which included multiple awards and commendations, these previous incidents significantly contributed to the severity of his punishment.

In his defence, Roddis’s barrister, Jane Bickerstaff KC, explained that he had been struggling with alcohol dependency and used drinking as a means of coping with stress. However, she acknowledged the severe consequences of his actions.

An Army spokesman condemned Roddis’s behaviour, stressing that it “fell well below” the high standards expected of military personnel and that such behaviour would not be tolerated within the armed forces. The Army has pledged to take action to prevent future misconduct of this nature.

Transport officials push for redesign to ensure level boarding for all services after concerns raised about accessibility.

Transport officials are re-evaluating the design of the new HS2 station at Old Oak Common in west London to ensure it meets full accessibility standards. Andy Lord, the commissioner for Transport for London (TfL), emphasized that failing to make the station fully accessible would be a major setback. He is currently in discussions with the Government to address the concerns.

The new station, located between Acton and Paddington, is set to serve as a temporary terminus for the HS2 line to Birmingham, until the permanent Euston station is completed. In the interim, passengers will be encouraged to use the Elizabeth line, which will also serve the station, in addition to national rail services operated by Great Western Railway (GWR).

While HS2 platforms will provide level boarding, the Elizabeth line platforms are currently not designed with level access for all passengers. This creates a significant issue for passengers with mobility difficulties, such as those in wheelchairs, who will be forced to use ramps to board trains. This would hinder an interchange into central London, making it impossible for some passengers to transfer between services without assistance from station staff.

The problem arises due to the different platform heights needed to accommodate GWR trains and some freight services alongside the Elizabeth line trains. The matter was brought to light by Caroline Pidgeon, a Liberal Democrat who recently joined the House of Lords, who described it as a “scandal” that a new railway station would lack complete accessibility for all passengers.

The issue gained more attention this week after Baroness Tanni Grey-Thompson, an 11-time Paralympic gold medallist, shared her experience of having to “crawl off” an LNER train at London King’s Cross due to inadequate accessibility. Lib Dem assembly member Hina Bokhari raised this incident at a London Assembly meeting, linking it to the ongoing discussions about Old Oak Common.

Mr Lord described the experience of Baroness Grey-Thompson as “absolutely horrendous” and reassured the public that discussions were ongoing with the Department for Transport. He confirmed that the design of the Great Western station at Old Oak Common, including the Elizabeth line platform, was under review to ensure level access for all passengers. Although a final design has not been confirmed, Mr Lord stressed that the goal is to avoid opening a station that does not meet accessibility standards. He stated, “It would be an absolute failing on everybody’s part,” and reaffirmed that TfL was pushing hard to ensure the Government addresses this critical issue.

Convicted child killer plans to challenge her convictions for the murders of seven babies.

Lucy Letby, the former nurse convicted of murdering seven babies and attempting to murder seven others, is planning to launch a fresh appeal against her convictions with a new legal team. Her barrister, Mark McDonald, confirmed the plans, as reported by the BBC. Letby was convicted for her crimes at the Countess of Chester Hospital’s neonatal unit between June 2015 and June 2016. After two trials, she was handed 15 whole-life sentences, making her one of only four women in UK history to be told she will never be released from prison.

In May, Letby’s previous appeal against her convictions was rejected by the Court of Appeal. However, her new legal team intends to apply to the Criminal Cases Review Commission (CCRC) to have her case sent back to the Court of Appeal. McDonald expressed his belief in her innocence, stating, “I knew almost from the start, following this trial, that there is a strong case that she is innocent.”

McDonald further argued, “The fact is juries get it wrong. And yes, so do the Court of Appeal, history teaches us that.” Letby’s legal team aims to present a new case to challenge the convictions, which has sparked considerable debate and public attention.

Additionally, a public inquiry into the events at the Countess of Chester Hospital, following Letby’s multiple convictions, is set to begin on September 10 in Liverpool.

Scots Tory contender denies claims of being a continuity candidate, emphasising his outsider status and commitment to change.

Scottish Conservative leadership candidate Russell Findlay has firmly rejected claims that he is an “establishment candidate,” despite being backed by party leader Douglas Ross and several fellow Tory MSPs. The accusation came during a televised debate on Scotland Tonight, where Findlay, Murdo Fraser, and Meghan Gallacher each presented their case for leading the party following Ross’s decision to step down.

In a heated exchange with Fraser, who questioned whether Findlay’s support from established figures like Ross indicated a lack of change, Findlay responded, calling the accusation “fanciful.” He argued that his background as a journalist, with nearly 30 years of experience outside of politics, provided him with a fresh perspective. “I am not a career politician,” Findlay asserted. “I bring a different viewpoint, one rooted in real-world experience, not just the Holyrood bubble.”

The leadership contest, which opens for voting among Scottish Conservative members on September 4, will run until September 26, with the new leader to be revealed the following day. In his comments, Findlay also dismissed claims of being a “continuity candidate,” pointing out that Murdo Fraser, who has been a politician for nearly a quarter of a century, was the one making this claim.

Findlay emphasised the need to focus on issues that matter to the people of Scotland, such as education, the economy, and the health service, rather than internal party squabbles. Gallacher also joined in criticising the party’s infighting, urging for a more positive and forward-looking campaign.

The candidates were further pressed by host Colin Mackay on personal matters, including their views on drugs in Scotland. While neither Findlay nor Gallacher directly responded to a question about their past use of illicit substances, Fraser admitted to having “once smoked a joint in college,” though he added that it “did nothing” for him.

Reforms to offer more detailed assessments for parents and schools by 2025.

Ofsted is set to overhaul its school inspection system, replacing the traditional single-phrase headline judgments with a more detailed “report card” system by September 2025. This change follows concerns raised after the tragic death of headteacher Ruth Perry, whose school was downgraded from “outstanding” to “inadequate” after a safeguarding issue, sparking public debate about the fairness of the grading system.

The traditional one-word judgments, such as “outstanding,” “good,” “requires improvement,” and “inadequate,” will be scrapped. Instead, parents will receive a more comprehensive breakdown of various aspects of the school’s performance, including education quality, behaviour, attitudes, and leadership.

New Report Card to Replace Single-Grade Judgments
Starting in 2025, Ofsted will provide a detailed “report card” for each school, offering more transparency and in-depth information for parents. The new approach will allow schools to be assessed on multiple factors, focusing on areas such as inclusion, safeguarding, attendance, and support for students with special educational needs and disabilities (SEND). This shift aims to give a fuller picture of a school’s strengths and areas for improvement.

While some parents may miss the clarity of a simple grade, Ofsted believes the new system will provide more relevant and meaningful insights into how schools operate and meet the needs of their students.

Government Action on Poor Ofsted Reports
Despite the removal of single-phrase judgments, the Government will still intervene when a school is found to be inadequate in any key areas, such as safeguarding. Schools that receive significant concerns in their reports could face forced academisation or changes in leadership. The Government has also committed to continuing its policy of intervening in schools with repeated “requires improvement” ratings, offering support through partnerships with high-performing schools.

Broader Reforms to Improve Inspection Process
In addition to the new report card system, Ofsted will implement several other reforms, including pausing the publication of inspection reports when safeguarding issues are identified in high-performing schools. This pause will give schools more time to address these concerns before a report is made public, preventing unnecessary damage to their reputation.

Furthermore, the watchdog will introduce annual reviews on safeguarding, attendance, and off-rolling practices, ensuring these critical areas are continuously monitored. Ofsted also plans to announce inspections on Mondays, with visits taking place over the next two days, to reduce uncertainty and stress for schools.

Plans for Other Education Sectors
The changes will not only apply to schools but also to early years settings and further education institutions. Ofsted aims to eliminate single-phrase headline judgments in these sectors by 2025, aligning with the new inspection approach for schools. The new frameworks will focus on improving pupil outcomes and maintaining high standards across all education settings.

These reforms mark a significant shift in the way Ofsted assesses and reports on schools, aiming to provide a clearer, more detailed, and fairer system for parents, educators, and students alike.

Local authorities call for immediate financial support to stabilise housing budgets and continue investment in new homes.

An unprecedented coalition of 100 local councils is urging the government to provide an emergency £644 million injection into their housing accounts to prevent delays or cancellations of vital investment in new homes. The councils have warned that the current financial model for council housing is “broken” and faces a £2.2 billion deficit by 2028 unless immediate action is taken.

The call follows Deputy Prime Minister Angela Rayner’s pledge for a “council housing revolution,” but local authorities have pointed out that the financial foundations of council housing are on the verge of collapse. They claim that the previous government failed to honour a 2012 agreement that would have stabilised rental incomes and ensured predictable costs for councils.

Local authorities argue that changes to government policy over the past decade have imposed additional costs on them while restricting essential income. The Housing Revenue Account (HRA), which finances housing maintenance and management, is in a “perilous state,” the councils warned, and cannot be fixed by rent increases alone.

A report commissioned by Southwark Council and backed by the 100 councils reveals that unless the financial system is stabilised soon, most councils will be unable to maintain their current homes, let alone build new ones for social rent. The report suggests that without intervention, councils may have to sell off more properties to fund housing investment.

The authorities are calling for an emergency capital funding injection of £644 million to address the income loss caused by the 2023-25 rent cap, which would help stabilise their HRAs in the short term and prevent further disruption to housing projects. They also demand a new sustainable HRA model, including long-term rent agreements and reforms to the “unsustainable” right-to-buy policies that have led to a reduction in council housing stock.

Kieron Williams, Labour leader of Southwark Council, said: “This unprecedented coalition is united in our determination to ensure our residents have decent, affordable homes. Our proposals offer the government a chance to turn things around by modernising and expanding council housing, ensuring that families have the security and stability they need to thrive.”

The report also calls for urgent reforms to the housing system, including the removal of bureaucratic obstacles to funding, the creation of a long-term “green and decent homes programme,” and action to restart stalled building projects to avoid further downturns in the construction sector.

In response, the Ministry of Housing, Communities and Local Government stated: “We recognise the severity of the housing crisis and are working quickly to reverse the decline in social rent homes. We have already provided councils with more flexibility regarding Right to Buy receipts and allocated additional funding to support families at risk of homelessness. Further details on this will be outlined in the next spending review.”

The actor reflects on his role in the film based on real-life events involving a white supremacist group.

Jude Law has emphasised the ongoing relevance of his latest project, The Order, a film that examines the violent actions of a white supremacist group from the 1980s. The story, which centres around Law’s portrayal of an FBI agent investigating a series of bank robberies and the murder of a Jewish radio host, is based on actual events involving the violent group known as the Order.

Speaking at the Venice International Film Festival, the actor noted how the story resonates with current issues. “Sadly, the relevance of this narrative speaks for itself,” Law said, reflecting on the disturbing nature of the subject matter. He also praised screenwriter Zach Baylin for his skill in portraying not only the violence of the group but also how a sense of community and family can influence dangerous ideologies.

The film, which highlights the 1984 murder of Alan Berg, explores how far-right hate groups operate and the deep connections they create among members. Law expressed that although the story is set in the past, it contains powerful connections to present-day global issues. “It’s a story that needed to be made now,” Law added, explaining how historical events like these continue to echo in today’s world.

Nicholas Hoult, who plays the group’s leader Robert Mathews, also acknowledged the global nature of the rise of extremism. While The Order focuses on an American group, Hoult noted that the themes are worldwide, saying the situation remains “a horrible one” and that the film might help shed light on the origins of such violence.

Reflecting on his own experience preparing for the role, Hoult mentioned the dark and unsettling research process, which was aided by director Justin Kurzel. He admitted that it was a tough process but one that was essential for bringing authenticity to the character.

Based on The Silent Brotherhood, a book by Kevin Flynn and Gary Gerhardt, The Order delves into the real-life formation of racist, neo-Nazi militias in the United States during the 1980s, showing how these groups instigated violence in pursuit of their extreme ideologies.

Ticket prices nearly double after fans waited hours in online queues, with resale prices reaching thousands.

Oasis fans have voiced their outrage at Ticketmaster after ticket prices for the band’s upcoming gigs surged hours after they went on sale. Fans who waited in long online queues to secure tickets for the Oasis Live ’25 shows were left furious when the price of standing tickets nearly doubled, jumping from around £148 to £355 on the ticketing site.

The price hike was linked to what Ticketmaster described as “in-demand standing tickets,” with the platform explaining that these prices were set according to market value. The statement on the website read: “The event organiser has priced these tickets according to their market value. Availability and pricing are subject to change.” However, many fans found the increase deeply frustrating, calling it “sickening” and “scandalous.”

Darragh Moriarty, a 30-year-old from Dublin, shared his frustration after he reached the front of the queue, only to find standing tickets priced at €415, compared to the €180 paid by his friends. He recalled that his group of six had to “raffle” the tickets, joking that they had to treat it like a “Hunger Games” scenario. Moriarty expressed anger at what he felt was a manipulative pricing system, stating: “It’s stomach-churning to see preying on people’s desperation and getting absolutely gouged like that.”

Ticketmaster clarified to the PA news agency that it does not set ticket prices, adding that they are determined by event promoters, not the platform itself. However, on resale websites, fans have reported extortionate prices. For example, tickets for the London concerts were listed on Viagogo for as high as £14,104, with standing tickets for Cardiff concerts ranging from £537 to £1,095.

Oasis has warned fans not to buy tickets from secondary ticketing websites, urging them to purchase only from official channels like Ticketmaster and Twickets, where tickets can only be resold at face value. The band issued a statement on X, formerly Twitter: “Please note, Oasis Live ‘25 tickets can only be resold at face value via @Ticketmaster and @Twickets! Tickets appearing on other secondary ticketing sites are either counterfeit or will be cancelled by the promoters.”

Despite these warnings, many fans are still being priced out, with secondary market prices continuing to soar. Original prices for standing tickets ranged from £148.50 for the Manchester shows to £506.25 for exclusive packages at London’s Wembley Stadium, but the inflated resale prices are leaving many fans frustrated and disillusioned.

Calls for an inquiry into the ‘in-demand’ pricing structure after standing tickets for Dublin gigs soared to €415.50.

The sharp rise in ticket prices for Oasis’ upcoming gigs at Dublin’s Croke Park has sparked calls for a consumer watchdog investigation. Fans who had been eagerly waiting in long online queues for tickets were left shocked when standing tickets, initially advertised at €86.50 plus booking fees, surged to €415.50 by the time they were able to make their purchase.

Irish MEP Regina Doherty has urged the Competition and Consumer Protection Commission (CCPC) to investigate the pricing system behind the sell-out concerts, scheduled for August next year. She described the price increase as “not transparent” and “unfair to consumers.”

“When ticket prices were first advertised, standing tickets were listed at €86.50 plus booking fees,” Doherty said. “However, when many people eventually made it through the online queue, they found the same tickets priced at €415.50. This is extortionate, especially when it is clear that every ticket for these gigs was always going to be in high demand.”

Doherty called for a thorough examination of the “in-demand” pricing structure, highlighting concerns that it could be exploiting consumers. She pointed to the EU’s Digital Services Act, which is designed to protect consumers from unfair practices on large digital platforms.

Ticketmaster explained that the prices for “platinum” and “in-demand” tickets were determined by market value, meaning they could fluctuate during the sales window. However, Ticketmaster clarified that it does not set the prices, as they are determined by the event promoters. The promoter for the Irish concerts, MCD, has been approached for comment on the matter.

The issue arose during a highly anticipated sales window for tickets, which opened at 8am on Saturday, an hour earlier than for the UK gigs. The online queue quickly grew to over 500,000 people, with many fans experiencing technical difficulties, such as being logged out of their accounts, ejected from the queue, or presented with error messages as the website struggled to manage the overwhelming demand.

Additionally, residents around Croke Park were disappointed after a set number of tickets were reserved for people living nearby. Despite submitting forms for special access codes, demand for the local tickets exceeded supply, and those who were unsuccessful were notified by email on Saturday.

The Swedish group joins a growing list of artists protesting the unauthorized use of their songs by Donald Trump’s presidential campaign.

Abba have expressed their objection after their iconic music was used without permission at a recent Donald Trump rally. The Swedish pop group has demanded that the Trump campaign remove videos circulating online that feature their songs, including “The Winner Takes It All” and “Dancing Queen.” The tracks were used to promote the rally, sparking outrage from the band.

A statement from Abba, issued through their representative to the PA news agency, said: “Abba has recently discovered the unauthorised use of their music and videos at a Trump event through videos that appeared online. As a result, Abba and its representative have promptly requested the removal and deletion of such content. No request has been received; therefore, no permission or license has been granted.”

Abba’s complaint adds to a growing list of artists whose music has been used without consent at Trump rallies. Last week, the Foo Fighters responded to the use of their hit song “My Hero” at a rally by stating, “No,” when asked if they had allowed it. The band’s spokesperson confirmed that they had not been asked for permission and would not have granted it if they had been.

Similarly, Celine Dion’s team condemned Trump for playing her song “My Heart Will Go On” at a rally earlier this month, clarifying that the use of the song was “in no way authorised.”

Johnny Marr, guitarist of The Smiths, also responded to the unauthorized use of their song “Please, Please, Please, Let Me Get What I Want” at a rally, writing on social media, “Consider this shit shut right down right now.”

This is not the first time Trump’s campaign has been caught using artists’ music without permission. In 2018, Aerosmith’s Steven Tyler sent Trump a cease-and-desist letter after the band’s 1993 hit “Livin’ On The Edge” was played at a rally. Tyler had previously sent two similar letters in 2015.

Other artists, including Prince’s estate, Tom Petty’s estate, Rihanna, and Ozzy Osbourne, have all taken action against Trump’s use of their music during his rallies. The Rolling Stones, Neil Young, and Linkin Park are among other musicians who have issued cease-and-desist orders after their songs were featured in campaign videos.